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	<title>Special | Moravian Music Foundation</title>
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	<link>https://moravianmusic.org</link>
	<description>Preserving, Sharing, and Celebrating Moravian Musical Culture</description>
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	<title>Special | Moravian Music Foundation</title>
	<link>https://moravianmusic.org</link>
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		<title>Fierce Was the Wild Billow</title>
		<link>https://moravianmusic.org/product/fierce-was-the-wild-billow/</link>
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		<dc:creator><![CDATA[Erik Salzwedel]]></dc:creator>
		<pubDate>Thu, 05 Feb 2026 22:46:53 +0000</pubDate>
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					<description><![CDATA[<p><strong>Fierce Was the Wild Billow</strong><br />
Adam Goodrich, five-string banjo<br />
Moravian Hymns Arranged for Banjo and Played on Banjo by Adam Goodrich</p>
<p>LOCAL PICKUP AVAILABLE - Click "Local Pickup" at checkout<br />
Walk-in sales at 457 S Church St., W-S, NC</p>
<p>Soon to be available in Bethlehem, PA at <a href="http://www.moravian.org">moravian.org</a> offering local pick-up.</p>
<p>CD Recording<br />
56 tracks (see full list below)<br />
Released 2026</p>
<p><a href="https://moravianmusic.org/22836-2/">About Adam Goodrich and the music &#62;</a></p>
<p>Proceeds benefit MMF</p>
The post <a href="https://moravianmusic.org/product/fierce-was-the-wild-billow/">Fierce Was the Wild Billow</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></description>
										<content:encoded><![CDATA[<p><strong>Rev. Adam Goodrich </strong>is a Moravian pastor, multi-instrumentalist, and folk instrument teacher. Adam’s grandfather, Robert Conrad, was a band director at Olivet Moravian Church in Winston-Salem, NC for more than 50 years. Robert was an active trombone player in the Moravian funeral band, the Bethabara Concert Band, and the Salem Band. In addition to a variety of brass instruments, he also played the mandolin, and was quite skilled at playing by ear. He lived and breathed music, and immersed Adam in music from an early age as well. He would often hum chorale tunes, and when Adam went anywhere with him in his pickup truck, they would usually listen to classical music and recordings from the low brass together.</p>
<p>This album is dedicated to the glory of God and in memory of Adam&#8217;s grandfather, Robert Conrad. Two of the tracks feature Robert&#8217;s mandolin.</p>
<p><strong>Fierce Was the Wild Billow</strong> was one of the hymns Robert most enjoyed.</p>
<p><strong><em>&#8220;Fierce was the wild billow, dark was the night,</em></strong><br />
<strong><em>oars labored heavily, foam glimmered white;</em></strong><br />
<strong><em>trembled the mariners, peril was nigh;</em></strong><br />
<strong><em>then said the God of God, Peace! It is I.&#8221;</em></strong></p>
<p>Full Track List</p>
<ol>
<li>The Savior’s Blood and Righteousness (22 A) :44</li>
<li>Hail to the Lord’s Anointed (151 R) 1:05</li>
<li>Ellacombe (*151 R) :58</li>
<li>The Birthday Hymn (185 A) 1:23</li>
<li>Coronation (*14 R) :56</li>
<li>All Hail the Power of Jesus Name (14 R) 1:11</li>
<li>Judgment (585 A) :47</li>
<li>What Brought Us Together (39 A) :48</li>
<li>Little Girls (*82 D) 1:14</li>
<li>Praise to the Lord, the Almighty (61 A) :54</li>
<li>Breathe on Me, Breath of God (Trentham) :49</li>
<li>I Love Your Kingdom, Lord (582 P) :33</li>
<li>Break Now The Bread of Life 1:15</li>
<li>Loaves Beside the Sea (*Bread of Life) :58</li>
<li>God is Our Strong Salvation (151 G) 1:02</li>
<li>Ye Who Called (56 A) :59</li>
<li>In the Hour of Trial (141 E) 1:36</li>
<li>Christ, the Life of All the Living (*168 A) 1:09</li>
<li>O God, Our Help in Ages Past (14 H) :35</li>
<li>God of Grace and God of Glory (CWM Rhondda) :56</li>
<li>Crown Him with Many Crowns (595 C) 1:07</li>
<li>Diademata (*595 C) :59</li>
<li>Join We All With One Accord (Gaudeamus Pariter) :45</li>
<li>Thy Majesty, How Vast It Is (172 A) 1:08</li>
<li>They Who Jesus’ Followers Are (11 A) :34</li>
<li>The Church’s One Foundation (151 L) 1:14</li>
<li>Aurelia (*151 L) 1:00</li>
<li>When I Survey the Wondrous Cross (22 P) 1:14</li>
<li>Son of God, O Hear My Cry (581 G) :50</li>
<li>When Jesus Into Salem Rode (14 Manoah) :56</li>
<li>Jesus, Still Lead On (68 A) :50</li>
<li>Go to Dark Gethsemane (581 A) 1:11</li>
<li>O Sacred Head, Now Wounded (151 A) 1:31</li>
<li>Abide with Me (32 K) 1:28</li>
<li>For the Beauty of the Earth (581 H) :52</li>
<li>Be Present at Our Table, Lord (22 H) :45</li>
<li>Ten Thousand Times Ten Thousand (151 Eastham) 1:00</li>
<li>Bechler (*159 D) 1:00</li>
<li>Sing Hallelujah, Praise the Lord (159 D) 1:15</li>
<li>Now Thank We All Our God (146 A) :59</li>
<li>We Covenant with Hand and Heart (159 A) 1:09</li>
<li>Worship (*159 A) 1:00</li>
<li>Be Still, My Soul (Finlandia) 1:05</li>
<li>Christian Hearts, in Love United (167 A) 1:05</li>
<li>Praise the Lord! You Heav’ns, Adore Him (Hyfrydol) 1:26</li>
<li>Hus (22 F) :38</li>
<li>Church Rejoice! (225 A) 1:11</li>
<li>Church, Go Forth (*225 A) 1:11</li>
<li>Highly Favored Congregation (16 A) 0:43</li>
<li>Beneath the Cross of Jesus (St. Christopher) 1:29</li>
<li>Sleep Thy Last Sleep (602 A Requiem) 1:03</li>
<li>Glorious Things of Thee Are Spoken (Austrian Hymn) 1:24</li>
<li>We Are Called to Be God’s People (*Austrian Hymn) 1:02</li>
<li>Angels from the Realms of Glory (585 D) :52</li>
<li>Fierce Was the Wild Billow 1:37</li>
<li>Jesus Makes My Heart Rejoice (*82 D) 1:06</li>
</ol>
<p>&nbsp;</p>The post <a href="https://moravianmusic.org/product/fierce-was-the-wild-billow/">Fierce Was the Wild Billow</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></content:encoded>
					
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		<item>
		<title>Funeral Chorales of the Moravian Church</title>
		<link>https://moravianmusic.org/product/funeral-chorales-of-the-moravian-church/</link>
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		<dc:creator><![CDATA[JohnBates]]></dc:creator>
		<pubDate>Tue, 12 Feb 2013 20:16:34 +0000</pubDate>
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					<description><![CDATA[<p>C. Daniel Crews and Nola Reed Knouse, 2004</p>
The post <a href="https://moravianmusic.org/product/funeral-chorales-of-the-moravian-church/">Funeral Chorales of the Moravian Church</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></description>
										<content:encoded><![CDATA[<p>Funeral Chorales have been used in the Moravian Church for hundreds of years.</p>
<p>The various tunes represent the social order of the community as well as theology.</p>
<p>There is a tune for each &#8220;choir&#8221;, i.e., married men, married women, single men/women, children, widows, etc. Choirs were groups of like individuals who bonded in fellowship to enrich their lives and enhance their spiritual journeys.</p>
<p>In the modern Moravian Church, choirs have evolved into Women&#8217;s Fellowship, Youth Fellowship, and various service groups, etc.</p>
<p>The chorales are suitable for choir and/or congregational singing, or used simply as instrumental music.<br />
See also, Moravian Band Chorale Books, which contain all Moravian funeral chorales, arr. for band instruments.</p>The post <a href="https://moravianmusic.org/product/funeral-chorales-of-the-moravian-church/">Funeral Chorales of the Moravian Church</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></content:encoded>
					
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		<title>Johnny Reb Band from Salem</title>
		<link>https://moravianmusic.org/product/johnny-reb-band-from-salem/</link>
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		<dc:creator><![CDATA[JohnBates]]></dc:creator>
		<pubDate>Tue, 12 Feb 2013 16:21:36 +0000</pubDate>
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					<description><![CDATA[<p>By Harry Hall</p>
<p>The 288-page paperback is a revised edition of a book originally published in 1963. Illustrated, indexed, softcover. Published by  the Office of Archives and History, North Carolina Dept. of Cultural Resources.</p>
The post <a href="https://moravianmusic.org/product/johnny-reb-band-from-salem/">Johnny Reb Band from Salem</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></description>
										<content:encoded><![CDATA[<p><em>A Johnny Reb Band from Salem: The Pride of Tarheelia </em>explores the history of the Twenty-sixth Regimental Band, North Carolina Troops, C.S.A., which was composed of Moravian musicians from Salem.</p>
<p>The 288-page paperback is a revised edition of a book originally published in 1963. The first section discusses Moravian musical traditions during the eighteenth and the first half of the nineteenth centuries. The second part traces the band’s Confederate service for a little more than three years, including their participation in the Battles of New Bern, Malvern Hill, and Gettysburg.</p>
<p>Profusely illustrated with pictures of Salem, band members, instruments, sheet music, and maps, this new title also contains twenty-seven sketches of camp life, not previously published. The sketches were drawn by Alexander C. Meinung, a member of the Twenty-sixth Regimental Band, and record various field scenes during the band’s military service.</p>
<p>The striking cover of the book features a photograph of the eight original band members taken in Salem on their first furlough during July and August 1862.</p>
<p>The 288-page paperback is a revised edition of a book originally published in 1963. Illustrated, indexed, 288 pages, softcover. Published by the Historical Publications Section of the Office of Archives and History, North Carolina Department of Cultural Resources.</p>The post <a href="https://moravianmusic.org/product/johnny-reb-band-from-salem/">Johnny Reb Band from Salem</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></content:encoded>
					
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		<title>Cheer, Boys, Cheer! American Brass Quintet</title>
		<link>https://moravianmusic.org/product/cheer-boys-cheer-music-of-the-26th-nc-regiment-performed-by-the-abq-brass-band/</link>
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		<dc:creator><![CDATA[JohnBates]]></dc:creator>
		<pubDate>Fri, 08 Feb 2013 20:30:30 +0000</pubDate>
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					<description><![CDATA[<p><span style="color: #333333;">CD - 2005</span><br />
<span style="color: #333333;"><strong>The American Brass Quintet<br />
Brass Band</strong></span></p>
<p><span style="color: #333333;"><strong>26th NC Regiment Band (from Salem, NC)</strong></span></p>
<p>Rarities in the Moravian Music Foundation’s collections:<br />
the only known complete sets of band books from a confederate band during the American Civil War.</p>
<p><strong>Track list and full description found below.</strong></p>
The post <a href="https://moravianmusic.org/product/cheer-boys-cheer-music-of-the-26th-nc-regiment-performed-by-the-abq-brass-band/">Cheer, Boys, Cheer! American Brass Quintet</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></description>
										<content:encoded><![CDATA[<h3>Music of the 26th NC Regiment Band<br />
American Brass Quintet Brass Band</h3>
<p>Among the rarities in the Moravian Music Foundation&#8217;s collections are the only known complete sets of band books from a confederate band in the American Civil War. These were brought to Salem (now Winston-Salem, North Carolina) because the 26th North Carolina Regimental Band C.S.A. was comprised wholly of Moravian musicians from Salem. This recording, based upon new scholarly editions of the works, reveals new insights into the rich musical heritage of the South, and indeed of the whole nation, in the second half of the 19th century.</p>
<p>This second volume of Civil War-era music was performed by the American Brass Quintet Brass Band, formed in 1980 by the members of the American Brass Quintet to perform and record America&#8217;s 19th-century brass band music on period instruments. Recorded November 1-4, 2005, at the American Academy of Arts and Letters, New York City.</p>
<h3><span style="color: #333333;">Listen to Cheer Boys Cheer! Band Call</span></h3>
<!--[if lt IE 9]><script>document.createElement('audio');</script><![endif]-->
<audio class="wp-audio-shortcode" id="audio-32-1" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://moravianmusic.org/wp-content/uploads/01-Band-Call-Cheer-Boys-Cheer.mp3?_=1" /><a href="https://moravianmusic.org/wp-content/uploads/01-Band-Call-Cheer-Boys-Cheer.mp3">https://moravianmusic.org/wp-content/uploads/01-Band-Call-Cheer-Boys-Cheer.mp3</a></audio>
<h3>Listen to a brass ballad from the Opera ZAMPA</h3>
<audio class="wp-audio-shortcode" id="audio-32-2" preload="none" style="width: 100%;" controls="controls"><source type="audio/mpeg" src="https://moravianmusic.org/wp-content/uploads/20-Balade-aus-der-Oper-Zampa.mp3?_=2" /><a href="https://moravianmusic.org/wp-content/uploads/20-Balade-aus-der-Oper-Zampa.mp3">https://moravianmusic.org/wp-content/uploads/20-Balade-aus-der-Oper-Zampa.mp3</a></audio>
<h3>Tracks:</h3>
<ol>
<li>Band Call &#8211; Cheer, Boys, Cheer</li>
<li>Grand Confederate Quickstep</li>
<li>Double Quickstep</li>
<li>Serenade Waltz</li>
<li>Irish Emigrant&#8217;s Lament</li>
<li>Parting</li>
<li>21st Regiment Quickstep</li>
<li>Chorale: Nun danket alle Gott</li>
<li>Easter Gallop</li>
<li>Screech Owl Gallop</li>
<li>Capt. Jones&#8217;s Waltz</li>
<li>Ever of Thee</li>
<li>The Mocking Bird Quickstep</li>
<li>Chorale: O Haupt voll Blut und Wunden</li>
<li>Dead March</li>
<li>Dearest, I Think of Thee</li>
<li>Scotch Medley</li>
<li>Capt. Horton&#8217;s Waltz</li>
<li>Lula is gone</li>
<li>Balade aus der Oper Zampa</li>
<li>Cast That Shadow From Thy Brow/Ella Leane</li>
<li>Chorale: Allein Gott in der Höh sei Ehr</li>
<li>Brightest Eyes</li>
<li>Carolina March</li>
</ol>The post <a href="https://moravianmusic.org/product/cheer-boys-cheer-music-of-the-26th-nc-regiment-performed-by-the-abq-brass-band/">Cheer, Boys, Cheer! American Brass Quintet</a> first appeared on <a href="https://moravianmusic.org">Moravian Music Foundation</a>.]]></content:encoded>
					
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