CD of Moravian Hymns sung by a Moravian choir.

CD of Moravian Chorales played by a brass quintet.

CD of Chorales played the Moravian Lower Brass.

“The hymnal (Gesangbuch) is a kind of response to the Bible, an echo and an extension thereof. In the Bible, one perceives how the Lord communicates with people; and, in the hymnal, how people communicate with the Lord.” – attr. Nicholas Ludwig von Zinzendorf    (later, per Paul Peucker, attr. to Bishop Spangenberg)

Copyright 1995 – Interprovincial Board of Publications and Communications

The Moravian Book of Worship “provides the means for unity in our church, on of rich diversity. … this book joins with its predecessors in extending the heritage, established when, at the beginning of the sixteenth century, the Unitas Fratrum (early Moravian Church) published what is considered to be the first Protestant hymnal.

CD of Moravian Hymns sung by a Moravian choir.

CD of Moravian Chorales played by a brass quintet.

CD of Chorales played the Moravian Lower Brass.

“The hymnal (Gesangbuch) is a kind of response to the Bible, an echo and an extension thereof. In the Bible, one perceives how the Lord communicates with people; and, in the hymnal, how people communicate with the Lord.” – attr. Nicholas Ludwig von Zinzendorf    (later, per Paul Peucker, attr. to Bishop Spangenberg)

Copyright 1995 – Interprovincial Board of Publications and Communications

The Moravian Book of Worship “provides the means for unity in our church, on of rich diversity. … this book joins with its predecessors in extending the heritage, established when, at the beginning of the sixteenth century, the Unitas Fratrum (early Moravian Church) published what is considered to be the first Protestant hymnal.

Guitar chords with each hymn.
The liturgical materials include 13 newly-written Congregational Prayers for Moravian Worship as well as the “core” liturgies from the Book of Worship. The hymns are organized to parallel the Moravian Book of Worship.

“Since the earliest days of the Unitas Fratrum, worship in the language of the people has been of central importance to Moravians. A second guiding principle, that of congregational participation in worship, has worked with the former to make hymn singing an integral part of Moravian worship. Hymn singing… …provides both a vehicle for, and evidence of, that fellowship with each other and with the Lord which is so dear…” It provides “the clearest and most public expressions of Moravian theology as well as the deepest heart-felt responses to God.”

“Since its beginnings, the Moravian hymn-singing tradition has been an eclectic one, borrowing what seemed good and useful from many sources. Music for hymns has included melodies newly composed for specific texts, tunes adapted from other denominational traditions, and adaptations of popular tunes.”  – Albert Frank

CD of Moravian Hymns sung by a Moravian choir.

CD of Moravian Chorales played by a brass quintet.

CD of Chorales played the Moravian Lower Brass.

“The hymnal (Gesangbuch) is a kind of response to the Bible, an echo and an extension thereof. In the Bible, one perceives how the Lord communicates with people; and, in the hymnal, how people communicate with the Lord.”  – attr. Nicholas Ludwig von Zinzendorf (later, per Paul Peucker, attr. to Bishop Spangenberg)

Copyright 1995 – Interprovincial Board of Publications and Communications

The Moravian Book of Worship “provides the means for unity in our church, on of rich diversity.  … this book joins with its predecessors in extending the heritage, established when, at the beginning of the sixteenth century, the Unitas Fratrum (early Moravian Church) published what is considered to be the first Protestant hymnal.