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	Comments on: The Music of the Moravian Church in America	</title>
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	<description>Preserving, Sharing, and Celebrating Moravian Musical Culture</description>
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		By: Erik Salzwedel		</title>
		<link>https://moravianmusic.org/product/the-music-of-the-moravian-church-in-america/#comment-2334</link>

		<dc:creator><![CDATA[Erik Salzwedel]]></dc:creator>
		<pubDate>Wed, 07 Dec 2016 15:56:48 +0000</pubDate>
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					<description><![CDATA[A giant step in the ongoing task of disseminating information about the origins of Moravian music and its importance on the American musical scene. The assembly of works by significant scholars is well illustrated by examples of printed music, hymns, and both original and translated texts.  - J. Edwin Hendricks, Wake Forest University (History)]]></description>
			<content:encoded><![CDATA[<p>A giant step in the ongoing task of disseminating information about the origins of Moravian music and its importance on the American musical scene. The assembly of works by significant scholars is well illustrated by examples of printed music, hymns, and both original and translated texts.  &#8211; J. Edwin Hendricks, Wake Forest University (History)</p>
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		<item>
		<title>
		By: Erik Salzwedel		</title>
		<link>https://moravianmusic.org/product/the-music-of-the-moravian-church-in-america/#comment-2333</link>

		<dc:creator><![CDATA[Erik Salzwedel]]></dc:creator>
		<pubDate>Wed, 07 Dec 2016 15:53:53 +0000</pubDate>
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					<description><![CDATA[This marvelous collection of essays presents a rich, provocative account of an underappreciated musical heritage. Its penetrating insights go well beyond Moravian culture. Indeed, this book should be required reading for any person, of any denomination, interested in the complex issue of music in liturgy.  Lorenzo Candelaria, Univ of Texas at Austin (Musicology)]]></description>
			<content:encoded><![CDATA[<p>This marvelous collection of essays presents a rich, provocative account of an underappreciated musical heritage. Its penetrating insights go well beyond Moravian culture. Indeed, this book should be required reading for any person, of any denomination, interested in the complex issue of music in liturgy.  Lorenzo Candelaria, Univ of Texas at Austin (Musicology)</p>
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