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Moravian Music Foundation

Moravian Music Foundation

Preserving, Sharing, and Celebrating Moravian Musical Culture

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Newest MMF CD Release!!

Easter Cantata

The Osterkantate (Easter Cantata) by Ernst Wilhelm Wolf

Performed by the Bach Festival Singers, Rollins College Singers, and Bach Festival Orchestra, John V. Sinclair, conductor

235 years later, 0ne of the early Moravians’ favorite cantatas is available on CD!  

Recorded May 17-19, 2015, in the John M. Tiedtke Concert Hall, Department of Music, Rollins College, Winter Park, Florida. Engineer: Kendall Thomsen. Producer: Gwyneth A. Michel. This project is made possible through the John M. Tiedtke Endowed Chair Fund.  Further funding was provided in memory of Wilson and Shirley Edwards by their children Patsy Saunders, Carol King, and Wilson Edwards, Jr., through the Duke Willard Fund for Recording of the Moravian Music Foundation.

Performers
Mary Wilson, soprano; Amanda Schumpert, soprano; Julie Batman, soprano; Glenn Siebert, tenor; Keith Alexander Bolves, tenor; Matthew K. Begale, bass; Peter Kubath, continuo

Bach Festival Chamber Orchestra

Conductor, Dr. John V. Sinclair has been the Artistic Director and Conductor of the Bach Festival Society of Winter Park since 1990. Dr. Sinclair conducts the Walt Disney World Candlelight Processional at EPCOT, directs Moravian Music Festivals, Messiah Choral Society, and participates in recording projects for Warner Brothers and the Walt Disney Corporation. Dr. Sinclair is the Director of Music for Rollins College. The choir includes members of the Bach Festival Choir of Winter Park and students and faculty of Rollins College.

The Easter Cantata

The libretto of the Easter Cantata includes numerous citations from the Bible, both Old and New Testaments, woven together with  hymn texts by others and original poetry. In his use of scripture Herder sometimes quotes the Luther Bible literally, and in other cases he adapts the text to fit his narrative.

The Easter Cantata was composed by Ernst Wilhelm Wolf (1735-1791) in Weimar, Germany, in the early 1780s based on a libretto by Johann Gottfried Herder. Ernst Wilhelm Wolf was born in Grossen Behringen, Germany in 1735. He attended schools in Eisenach and Gotha, and in 1755, at the age of 20, he attended the University of Jena, where he led the collegium musicum at Jena. Wolf arrived at Weimar in the late 1750s or 1760, to serve as a music teacher and Konzertmeister, Organist, and Kapellmeister.

Librettist Johann Gottfried Herder was born in the small city of Mohrungen in East Prussia on August 25, 1744. In 1771 he became Chief Pastor at Bückeburg, where he befriended Countess Maria, who had been schooled in Herrnhut; perhaps it was through her that Herder became acquainted with Zinzendorf and the hymns of the Moravians. Herder wrote the text of the Easter Cantata in 1781, and the Breitkopf edition of Wolf’s musical setting was published in 1782.

The music was edited by David Blum and Nola Reed Knouse.

This edition was first performed during the 24th Moravian Music Festival in Bethlehem, PA in 2013.

Cover: Tiffany window, created in 1929, in the Rollins College Knowles Memorial Chapel. Part of the Cornell Fine Arts Museum collection; photo by Scott Cook.

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WINSTON-SALEM OFFICE at the ARCHIE K. DAVIS CENTER

457 South Church St.
Winston-Salem, NC 27101

Phone: (336) 725-0651
Email: info@moravianmusic.org

BETHLEHEM OFFICE at the MORAVIAN ARCHIVES

41 West Locust St
Bethlehem, PA 18018

Phone: (610) 866-3340

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Copyright © 2022 The Signal Company. All rights reserved. Return to top

Other resources at MMF:

  • Reference library: the Peter Memorial Library in Winston-Salem
  • Irving Lowens Collection of early American tunebooks and songbooks, in Winston-Salem
  • An extensive international collection of hymnals (mostly Moravian) in many languages, dating to the 16th century, in Winston-Salem

 
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ArchivGrid

ArchiveGrid                         LINK

This is a collection of over 7,000,000 archival descriptions, including documents, personal papers, family histories, and other archival materials held in about 1,500 archival institutions. ArchiveGrid helps researchers looking for primary source materials, but who may not know exactly where to go to find them. MMF’s finding aids can be discovered through ArchiveGrid. For an example, go to https://researchworks.oclc.org/archivegrid/help/; type in the search box (upper right) “Bethlehem congregation” and the first thing you will find is MMF’s finding aid for the Bethlehem Congregation Collection, and also related collections and suggested search terms (Lancaster, Dover, Lititz, etc.), linked to those finding aids on the MMF website.

Finding Aids

Individual Finding Aids       LINK

Guide: Arranged by Collection          LINK

The archival holdings of MMF are divided into collections. (some in Bethlehem, some in Winston-Salem)

The finding aid for each collection is a “30,000-foot view” of the collection in its context. Each finding aid contains information about the size of the collection, how it was created, history of the community or key individuals involved in the collection, and a description of the contents.

A guide to the MMF collections is available at MoravianMusic.org:

For the individual finding aids, see https://moravianmusic.org/category/finding-aids/
Then, click on any of the titles and read about that collection. When this work is completed, there will be a finding aid for every collection we hold.

RISM

RISM: Répertoire International des Sources Musicales    LINK

RISM, or International Inventory of Musical Sources, is an international, non-profit organization that aims to comprehensively document extant musical sources worldwide: manuscripts, printed music editions, writings on music theory, and libretti that are found in libraries, archives, churches, schools, and private collections.

The RISM Catalog of Musical Sources contains over 1.2 million records and can be searched at no cost. Early western music from 1600 through to the early 19th century is included.    https://rism.info/de/search.html

RISM was founded in Paris in 1952 and is the largest and only global organization that documents written musical sources. RISM records what exists and where it can be found. RISM is where scholars go when they are looking for music manuscripts or early prints around the world. RISM entries include the musical incipits – the first phrase or so of music – to enable identification of a specific piece of music (which setting of “Sing to the Lord a New Song” is this?).

GemeinKat

GemeinKat is the MMF digital catalog on WorldCat.org    LINK

“GemeinKat” is the name given to MMF’s project to upload new and enhanced digital records to the OCLC and RISM databases. We have used the name “GemeinKat” as our umbrella term for the entire project, involving Backstage Library Works, OCLC, WorldCat, and RISM and the work of cataloging; also, the creation of the digital records and the creation of finding aids.

GemeinKat is available to the public, on the internet, at moravianmusic.on.worldcat.org and is a WorldCat Discovery catalog, developed by OCLC, a nonprofit organization that provides services to thousands of libraries worldwide. Through WorldCat, users have the potential to access more than 1.8 billion items in libraries around the world.

GemeinKat itself is: the bibliographic records for each manuscript, book, or printed music item found in MMF holdings.
These archival holdings are grouped by collections and physically reside in either the Bethlehem or Winston-Salem archive (sometimes in both).
For a description, see the MMF website: https://moravianmusic.org/gemeinkat-catalog/.

WorldCat.org: to search the catalog, go to https://moravianmusic.on.worldcat.org/discovery. You can search by composer, title, collection, or any number of other keywords; just go try!

OCLC (Online Computer Library Center): the collective of organization(s) that built the online database called WorldCat. It is now owned by Backstage Library Works.

Timeline of the Transition

The current plan (subject to change and adjustments, of course) is shared here, and will be updated.

How it works; who hires whom?

A. The MMF Board of Trustees hires the Executive Director. 
B. The Executive Director hires the Asst. Director and other MMF staff.

The Plan

1. Nola and Gwyn will retire, effective the end of August, 2022.

2. The Board is currently searching and accepting applications for Executive Director.

3. A new Executive Director will be named by summer and will be in place by mid-July, 2022.
The new Director would then be able to experience Festival and spend up to 6 weeks with the current Director.

4. An interim Asst. Director will be hired by summer and will overlap with the current Asst. Director.
This position will be 2-days a week to finish out the 2022 calendar year, while the new Director considers applicants for Asst. Director.

5. Assistant Director opening will be posted in the fall of 2022.

6. A new Asst. Director will be hired by the new ED and should be in place to start as of Jan. 1, 2023.

We are open for business!

…however, we prefer you make an appointment to visit the WINSTON-SALEM office in-person, and follow the guidelines, below.

336-725-0651

We request visitors follow these requirements:

  • Researchers must call or email to make an appointment. Walk-in researchers will not be admitted.
  • There will be a limit of 3 persons in the research room at a time (including MMF and Archives researchers).
  • Masks required for ALL.
  • Researchers are required to bring their own writing materials (pencils & paper).

 

For shopping, when convenient, please order items on the MMF website. We can leave them at the door for pick-up or ship to you.

For anthem and lending library requests, research inquiries, and other inquiries,
you are welcome to send an email to info@moravianmusic.org or sales@moravianmusic.org
or, for research, dave@moravianmusic.org
or directly to any of the staff, using this pattern: [first name]@moravianmusic.org

We Are Open for Business!

…however, you must make an appointment to visit the BETHLEHEM office in-person. Masks, distancing, and limits of occupancy are mandated.  

610-866-3340

For shopping, when convenient, please order items on the MMF website. We can leave them at the door for pick-up or ship to you.

For anthem and lending library requests, research inquiries, and other inquiries,
you are welcome to send an email to info@moravianmusic.org or sales@moravianmusic.org or
directly to any of the staff, using this pattern: [first name]@moravianmusic.org

A recent inquiry to MMF - Subject: Copyright/Streaming

 

Dear MMF,

I have a question about copyright and streaming. We have CCLI license and streaming license at my church, but it does not cover many pieces for organ. Would the ASCAP license provide that protection for us to stream and include copyrighted organ music? I’ve read their website, and it seems like it would.  https://www.ascap.com/music-users/types/church-or-ministry

Thanks!

____________________________________________________

Dear Worship Leader,

We have been instructing folks to follow CCLI and OneLicense guidelines, which, as you discovered, unfortunately, rarely cover instrumental/keyboard music.

Yes, it appears as though ASCAP offers a “WorshipCast” streaming license, which is set up in much the same manner as CCLI and OneLicense licenses – i.e., the fee structure is based on worship attendance:

https://apps.christiancopyrightsolutions.com/purchase-license.aspx?svc=wc

A quick click brought up this fee structure:
1 – 199 (in attendance): $284.00
200 – 499 (in attendance): $424.00 (obviously it goes up from here)

Some further good news – the WorshipCast license offered above is controlled by Christian Copyright Solutions (a division of CCLI, and it appears as though purchase of this license would allow you to broadcast both ASCAP and BMI titles, opening up even more possibilities.

I don’t think, however, that this license includes SESAC titles; thus, if you wished to perform anything under the SESAC umbrella (Dan Gawthrop, for instance), you would need to approach that entity directly for a license:

https://www.sesac.com/#!/

Thank you for bringing this to our attention.

Blessings to you in your music ministry!

Gwyneth Michel, Assistant Director, Moravian Music Foundation      – – (with edits by Erik S.)

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Internships at MMF

The Moravian Music Foundation welcomes students for internships.
Both college (or higher) and high school levels may be accommodated.
Some projects require no musical experience; others require ability to read music and understand orchestral scores/parts.

Internship Opportunities

Archie K Davis Center

Construction began on the building in the fall of 1999, and the facility was completed and occupied in July 2001. In September 2001, the building was dedicated as the Archie K. Davis Center. More about the man, the building, and a quick, visual tour of our beautiful home.

The Archie K. Davis Center