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Moravian Music Foundation

Moravian Music Foundation

Preserving, Sharing, and Celebrating Moravian Musical Culture

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Notes from Nola: On Writing Hymns – Guest Columnist Riddick Weber

The Moravian Music Foundation preserves, shares, and celebrates Moravian musical culture…

With this post I welcome my first “guest blogger” — the Rev. C. Riddick Weber, who has written about his experiences in writing hymns. Thank you, Riddick, for allowing us to use part of your writings about your writings!

Reflections on Writing Hymns:
An Encouragement to Potential Authors

I did not like English class for most middle school or high school, particularly anything related to my having to write, but most especially I disliked writing poetry. However, during my last year in high school, I began to understand what my English teachers were saying as they dug into the words, especially the wordplay in poetry.  By college, I could no longer say I did not like my English classes, but still did not enjoy the process of writing.

Soon after finishing college, I began working for the Southern Province as the Director of College-Age Ministry. Over time I became more comfortable with writing, mostly newsletter articles and the occasional sermon as a guest preacher. I was 30 when our first son, Isaac, was born, followed two years later by JC and Daniel, and I found that after we started having kids, I also started having words. All of which is to say, writing hymns did not come easily or quickly to me (you may feel the same way).

I do not consider myself a songwriter. Words and sometimes phrases come to mind as I think about a particular situation. Often I become aware of the first line of a tune that I already know that fits the words that have come to mind. The meter of that song then helps the words to flow, or helps me realize I need to change the wording to get the stress and number of syllables correct.  Normally within a half an hour, a song has appeared in good draft form.

For me, it is then important to share those songs with others who I know are hymn writers or have a way with words. I solicit their suggestions relating to the song in general, but I especially point out lines or phrases where I had problems with words, or where they still do not seem quite right to me. I do this for several reasons.  First, I find that friends often easily find solutions to wording that seems problematic or forced to me.  Secondly, sometimes my mind tricks me into reading through problems with the meter, thus overlooking them.  I do not catch these problems, but friendly readers do.  Sometimes I take these friends’ suggestions as they are; other times I continue to work with them, revising their revisions.  Sometimes, even though I value part of the suggestion, I choose not to accept that because a different concern might outweigh it. Often when I choose not to accept a suggestion, it is because the suggestion misses a theological nuance I am trying to convey.

I would like to share a series of stories about the creation of songs, with the hope that they might inspire others to write words that might come to them.

“I’m Making All Things New,” 2010
Sing to the Lord A New Song, #62

“I’m making all things new,” God says for us to hear.
The old is gone the new is coming ever near.
So we give thanks, our heartfelt thanks, for these past days of prayer and praise.

We’ve heard your call anew; we’ve read and we have prayed
to op’n our heart and minds to sense the new you’ve made.
And now we plead, may we find faith to follow you where’re you lead.

And now make us new, too; please make us one in you.
Draw us together through your Spirit by your pow’r.
So we may be the church you want to minister this very hour.

Christ calls us and we are! You make us and we’re new!
We live and move alone by grace that comes from you.
Let us take cheer! And standing at the ready be when you appear.

© C. Riddick Weber
July 22, 2010

I jokingly say that this was a failed assignment for writing a prayer. I was on the team that planned the devotions for the 2010 Synod, which had “Behold, God Is Making All Things New” for its theme.  Rev. Russ May asked me to write an opening prayer as part of the introduction to the devotional booklet that would go out to delegates to help them prepare for synod.  After sitting down at my desk and getting nowhere with the prayer, the phrase “I’m making all things new” came to mind.  Even though the song does not stay there, starting things from God’s perspective seemed to open the door.  Very quickly, too, the tune “Darwall” came into my head, giving me structure for the words.  Words flowed very quickly and probably within half an hour the song was finished.

“Love of God is a Fragrant Garden,” 2011
Sing to the Lord A New Song, #83

Love of God is a fragrant garden, full of color, life and fruit.
Throughout its annual cycle, we find seed and bulb and shoot.
Hiding under the snows of winter, soaking up the rain of spring,
bathing in the gold of summer, they an autumn harvest bring.

Science teaches us all life’s cycles; faith turns them into song;
together they can guide us throughout our whole lives long.
With humble thanks we learn to see what those before us saw:
comprehending God’s creation, instills a greater awe.

Comenius we celebrate as the teacher we know best.
Still more enlarged his wisdom even though we know them less:
Brother David and Bishop George, Sister Anna in the wood,
furthered what we know of nature and shared that as they could.

Like them let us praise our Creator and rejoice in God’s largess,
offer thanks unto the Savior, who endured creation’s distress,
and sing now to the Spirit, whose gifts beyond compare
enable us God’s blessings to study, reap and share.

Sung to “Down By The Salley Gardens”
Riddick Weber
March 26, 2011

“Love of God is a Fragrant Garden” is very important to me in several ways. In the summer of 2009 Laurel Ridge, the camp and conference center for the Southern Province, offered its first Ecocamp.  This long-term vision of the Revs. Rick Sides and David Guthrie offered the campers and the counselors opportunities to focus intensely on the creation in and around Laurel Ridge, as a way to appreciate the wonder of its Creator.  I was a counselor, and two of my sons, JC and Daniel, were campers.  In addition to enjoying time with them and watching them interact with the beauty of the environment around them, over the course of the week, I began to appreciate the long but undervalued strain within Moravian history and theology that teaches the importance of studying nature in order to appreciate God.  Furthermore, we were encouraged to write haikus in order to develop our artistic expressions in relation to creation.

The following year, I began teaching at Moravian Theological Seminary. In some of my classes I require students to write hymns (How do they know they cannot write them if they have never tried?).  One of my students asked me if I would be writing any hymns since they were having to write them.  This hymn, reflecting my thoughts on the creative nature of God and the history of Moravians who devoted significant portions of their lives to the understanding of the natural world, was written in response to this student’s question.

I knew early on that I would be working with gardening imagery, so I chose this tune to help me structure my thoughts. I learned this Irish folk tune from my oldest son, Isaac, because it was in a book of simple tunes for pennywhistle, which he had learned to play while in elementary school.

This total piece then ties together many of my loves and passions: for my children; for the educational ministries, the camping programs, the history, and the musical traditions of the Moravian Church; and for science and the Creator, fully revealed in Jesus Christ, and empowering and inspiring the creation today through the power of the Holy Spirit.

Within the song itself, Brother David refers to Lewis David de Schweinitz, the first American to earn a PhD. In addition to being the father of mycology, he was also an ordained Moravian pastor, administrator, and educator. Bishop George refers to George Higgins, Moravian Bishop, who was active in Christian Education and in the camping ministries of Laurel Ridge and well-known for knowledge of the flora and fauna on and around the mountain. Sister Anna refers to Anna Rosina Gambold who served as a missionary among the Cherokee in northwest Georgia prior to the Trail of Tears.  She was renowned for her vast botanical knowledge.

The processes of writing “I’m Making All Things New” and “Love of God is a Fragrant Garden” were very important to me. As I mentioned, I did not like writing poetry in high school, particularly haikus.  As a teenager, I found the process of trying to make words fit metric patterns forced.  However, as an adult, I found that having a tune in my head really helped the words to flow.  Ironically it was in writing the haikus (which I had hated in high school) for Ecocamp that I first experienced this sense of a rhythmic pattern helping the words to flow.

Thank you, Brother Riddick, for sharing your experiences! Keep writing, Brother — and to ALL of you, give it a try! You never know until you try …

Next time: What’s your “elevator speech” about Moravian music?

 

 

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WINSTON-SALEM OFFICE at the ARCHIE K. DAVIS CENTER

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Winston-Salem, NC 27101

Phone: (336) 725-0651
Email: info@moravianmusic.org

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Internships at MMF

The Moravian Music Foundation welcomes students for internships.
Both college (or higher) and high school levels may be accommodated.
Some projects require no musical experience; others require ability to read music and understand orchestral scores/parts.

Internship Opportunities
Food & Drink Vendors at ChristmasFest 2022

Friday:
WutYaSay    Southern Cookin’     www.facebook.com/wutyasay
Snickety Snacks   food/desserts  www.facebook.com/snicketysnackslocal
The Southern Noodle      www.facebook.com/TheSouthernNoodle/

Saturday:
Baked Just So    bakery    www.facebook.com/BakedJustSO/
Donut NV            donut truck   www.facebook.com/DonutNvAdvanceNC
Struggle Bus       coffee truck  www.facebook.com/thestrugglebus21

Both Days:
Patriot Pretzel Co.   pretzels  www.facebook.com/patriotpretzelcompany

 

        

Open House at Cedarhyrst

The “historic Cedarhyrst” event coincides with ChristmasFest and is right next door!

We warmly welcome all in our Moravian family to historic Cedarhyrst for the
Moravian Provincial Offices Christmas Open House!

December 16th (2 p.m. – 8 p.m.) and December 17th (10 a.m. – Noon)
Moravian Church Provincial Offices (Cedarhyrst)
459 S. Church Street in Old Salem (park on Church St. or in Salem Fine Arts Center lot.)

Come meet the staff & volunteers who keep the province running. All eleven of the building’s beautiful fireplaces will be decked out with a unique Nativity/Putz displays designed by each provincial office. Sip hot cider with us and browse the CCD’s lending library. Children’s programming is available too! We hope you’ll drop by as we open our house to the community.

  

Click here to download the official flyer.

Salem Saturdays at Christmas

Throughout the holidays and during ChristmasFest, Old Salem will welcome visitors to enjoy the shops and displays around Salem. Make it even more special by touring the historic buildings, homes and shops. Tickets at the Visitor Center: Holiday All-In-One Ticket

Old Salem Inc. museum, shops and historic buildings will be open 10:00a to 4:00p on the Saturday of ChristmasFest. (admission fee)

More about events >>

Salem Saturdays at Christmas

Visiting Old Salem Museum and Gardens - This Is My South

Trinkschokolade

“Kakao” in German means cocoa, either bean, powder or hot cocoa. It can be drunken cold or hot. When it is made from powder mixes it is often called “Trinkschokolade”

Glühwein

“Glühwein” is a German mulled wine (ours is non-alcoholic), a cheery warming agent in many cultures during the dark and chilly winter months. The German word itself directly translates to mean ‘glow wine’ in English. This name was derived from the red hot irons used to heat the wine in the early days. Recipes may include red wine or juice and other juices combined with the popular spices of the season, including citrus, cinnamon, star anise, cloves, and vanilla, all sweetened with sugar.

Musicians Performing at ChristmasFest 2022 Schedule
Friday, December 16
5:00–5:45 Stratford Brass
6:00–6:30 The Moravian Band
6:30–7:00 Trinity Moravian Church and Logos
7:00–8:00 New Philadelphia Worship Team
8:00–8:30 Salem Band Tuba Quartet
8:30–9:00 Advent Brass Ensemble
Saturday, December 17
10:00–10:30 South Stokes High School Band
10:30–11:00 Whitaker Elementary School Chorus
11:00–11:30 Salem Congregation Band Classes
11:30–12:00 West Stokes High School Choir
12:00–12:45 Salem Trombone Choir

and

Spencer Bullins on guitar will be playing inside the reading room for most of the festival.

Candle Tea of Home Moravian Church

In the two weekend prior to ChristmasFest: Dec. 1 – 3 and Dec. 8 – 10, 2022

As a Moravian brass band plays nearby, costumed volunteers welcome guests with an introduction to the history of the Moravians in Salem, followed by carols in the Saal accompanied by an 18th century Tannenburg organ, the sweet aroma of a beeswax candle-making demonstration, a visit to the original kitchen to enjoy coffee and sugar cake, and finally a viewing of the amazing Salem putz and the nativity scene.

The sights, sounds, smells, tastes and interesting narrative of Candle Tea provide a warm experience of Moravian Advent and Christmas traditions from early Salem to the present day. The regular Candle Tea tour lasts about an hour.

More Details and to make a reservation >>

The Scriptorium: Moravian Candle Tea       Moravian Candle Tea in Old Salem | Eventcombo

 

Artists & Craftspersons at ChristmasFest 2022

Moravian Music Foundation    Christmas CDs, both choral and instrumental, and featuring the Moravian Lower Brass

Veronica Vale    Paintings

Golden Magnolia              Soaps and candles

________    woodworking, handmade items

LaDonna Crist    Art C     Moravian gift items

Hot Sauces

Handmade Stars               Susan Moore

Katherine Loafman          Framed Moravian artwork

Lauren Hatfield Christmas gift items (Moravian)

Moravian Archives      resources

Commission for Congregational Development        books and worship resources

Unity Women’s Desk /Lynn Waggoner      worldwide Crafts

A Moravian Market for You!

A couple weeks prior to ChristmasFest: December 3rd, 2022

Enjoy the Moravian Market, filled with traditional gifts for your home and your friends.
10:00 am – 4 pm on the Square

Then, join Wachovia Historical Society for Hanging of the Greens, the draping of the fence on Salem Square with green garland.
12:00 noon on the Square

Website     NC - Winston Salem - Old Salem Town Square | This town well … | Flickr

A Moravian Market for You!

Old Salem Square, 649 South Main Street, December 3rd, 10:00 am until 3:00 pm. Pyramid trees, ongoing advent wreath and greenery workshops, woven baskets, hand-decorated linens, Christmas ornaments from worldwide Moravian congregations, Christmas music, and much more!

 

Sponsored by the Moravian Music Foundation, Unitas Women’s Desk, and Wachovia Historical Society.

RISM

RISM: Répertoire International des Sources Musicales

RISM, or International Inventory of Musical Sources, is an international, non-profit organization that aims to comprehensively document extant musical sources worldwide: manuscripts, printed music editions, writings on music theory, and libretti that are found in libraries, archives, churches, schools, and private collections.

Search RISM ONLINE (more searching options and granularity for scholars)    or   Search RISM CATALOG (more general searching)

The RISM Catalog of Musical Sources contains over 1.2 million records and can be searched at no cost. Early western music from 1600 through to the early 19th century is included.

RISM was founded in Paris in 1952 and is the largest and only global organization that documents written musical sources. RISM records what exists and where it can be found. RISM is where scholars go when they are looking for music manuscripts or early prints around the world. RISM entries include the musical incipits – the first phrase or so of music – to enable identification of a specific piece of music (which setting of “Sing to the Lord a New Song” is this?).

Other resources at MMF:

  • Reference library: the Peter Memorial Library in Winston-Salem
  • Irving Lowens Collection of early American tunebooks and songbooks, in Winston-Salem
  • An extensive international collection of hymnals (mostly Moravian) in many languages, dating to the 16th century, in Winston-Salem

Video about Moravian Music Research
 
Books about Moravian Music
 
Blog Posts about Moravian Music

Books for Sale: Musicology

Video about Moravian Music Research
 
Books about Moravian Music
 
Blog Posts about Moravian Music

Books for Sale: Musicology

Heritage Award

presented by the Moravian Historical Society, Aug. 28, 2022, to

GWYNETH MICHEL
Asst. Director of the Moravian Music Foundation

in sincere appreciation of her contributions in support of the MHS.

We Are Open for Business!

…however, it helps us if you make an appointment to visit the BETHLEHEM office in-person, so that we may access and prepare materials for you.

Assistant, Jan Harke, is in the office on Mondays and Fridays.

610-866-3340      Masks are preferred.  

For shopping, you may visit MMF in Bethlehem any day of the week. The Archives staff will accept payment and complete your purchase.
When convenient, you may consider ordering items on the MMF website. We can save you shipping charge if you want to pick-up the items. Please email  sales@moravianmusic.org

For anthem and lending library requests, research inquiries, and other inquiries,
you are welcome to send an email to jan@moravianmusic.org, info@moravianmusic.org or
directly to any of the staff, using this pattern: [first name]@moravianmusic.org

We Are Open for Business!

…however, we prefer you make an appointment to visit the WINSTON-SALEM office in-person.  336-725-0651

Visitors are asked to wear a mask.

You may always order items 24/7 on the MMF website. You may pick-up or we will ship.

For anthem and lending library requests, research inquiries, and other inquiries,
you are welcome to send an email to info@moravianmusic.org or sales@moravianmusic.org
or directly to any of the staff, using this pattern: [first name]@moravianmusic.org

 

 

Christopher Ogburn

Growing up in the Moravian Church, I learned the value of the church and the importance of its long and remarkable history, both locally, but also internationally. My own family lineage can be traced back to the Bethabara settlement, so there is a strong personal connection that draws me to the work of the Moravian Music Foundation and the preservation of its remarkable archival collection. While an undergraduate at the University of North Carolina at Chapel Hill, I had the privilege of interning one summer at the Foundation under Nola Reed Knouse. This opportunity solidified my passion for musicology and is what ultimately inspired my pursuit of a doctorate in that area. In many ways, I owe my career to the Foundation and consider this opportunity to be both a literal and spiritual homecoming.

Looking to the future, I am excited by all the possibilities, including expanding the lecture series, building a more robust online presence, providing live music performances, creating workshops for local students, and working to tell the global story of the Moravian Church more completely and accurately.

My family has deep ties to the area that go back several generations. My wife, Erin, and I are excited to be moving back to Winston-Salem and to raise our daughter, June, in this community that played such a vital role in shaping who I am today. We are looking forward to exploring all the new restaurants, hiking around Pilot Mountain, and enjoying the vibrant cultural community that has grown over the years. After having lived in New York City for the bulk of our adult lives, we are delighted to be back in the land of BBQ, Cheerwine, and the Heels.  -Chris Ogburn

Bruce Earnest

What an honor it is for me to join the Moravian Music Foundation. I look forward to working with the board, staff, and community as we  plan for the next 66 years. The mission and vision of the Moravian Music Foundation is as important now and for the future as it was at inception 66 years ago. I am grateful to be leading an organization that is respected throughout the globe for its collection and significance, due to Dr. Knouse and the team. As my wife and family transition to the beautiful city of Winston-Salem, we ask for your prayers and look forward to meeting each of you very soon!    -Bruce Earnest

Psalm 99:5

ArchivGrid

ArchiveGrid                         LINK

This is a collection of over 7,000,000 archival descriptions, including documents, personal papers, family histories, and other archival materials held in about 1,500 archival institutions. ArchiveGrid helps researchers looking for primary source materials, but who may not know exactly where to go to find them. MMF’s finding aids can be discovered through ArchiveGrid. For an example, go to https://researchworks.oclc.org/archivegrid/help/; type in the search box (upper right) “Bethlehem congregation” and the first thing you will find is MMF’s finding aid for the Bethlehem Congregation Collection, and also related collections and suggested search terms (Lancaster, Dover, Lititz, etc.), linked to those finding aids on the MMF website.

Finding Aids

Individual Finding Aids       LINK

Guide: Arranged by Collection          LINK

The archival holdings of MMF are divided into collections. (some in Bethlehem, some in Winston-Salem)

The finding aid for each collection is a “30,000-foot view” of the collection in its context. Each finding aid contains information about the size of the collection, how it was created, history of the community or key individuals involved in the collection, and a description of the contents.

A guide to the MMF collections is available at MoravianMusic.org:

For the individual finding aids, see https://moravianmusic.org/category/finding-aids/
Then, click on any of the titles and read about that collection. When this work is completed, there will be a finding aid for every collection we hold.

GemeinKat

GemeinKat is the MMF digital catalog on WorldCat.org    LINK

“GemeinKat” is the name given to MMF’s project to upload new and enhanced digital records to the OCLC and RISM databases. We have used the name “GemeinKat” as our umbrella term for the entire project, involving Backstage Library Works, OCLC, WorldCat, and RISM and the work of cataloging; also, the creation of the digital records and the creation of finding aids.

GemeinKat is available to the public, on the internet, at moravianmusic.on.worldcat.org and is a WorldCat Discovery catalog, developed by OCLC, a nonprofit organization that provides services to thousands of libraries worldwide. Through WorldCat, users have the potential to access more than 1.8 billion items in libraries around the world.

GemeinKat itself is: the bibliographic records for each manuscript, book, or printed music item found in MMF holdings.
These archival holdings are grouped by collections and physically reside in either the Bethlehem or Winston-Salem archive (sometimes in both).
For a description, see the MMF website: https://moravianmusic.org/gemeinkat-catalog/.

WorldCat.org: to search the catalog, go to https://moravianmusic.on.worldcat.org/discovery. You can search by composer, title, collection, or any number of other keywords; just go try!

OCLC (Online Computer Library Center): the collective of organization(s) that built the online database called WorldCat. It is now owned by Backstage Library Works.

A recent inquiry to MMF - Subject: Copyright/Streaming

 

Dear MMF,

I have a question about copyright and streaming. We have CCLI license and streaming license at my church, but it does not cover many pieces for organ. Would the ASCAP license provide that protection for us to stream and include copyrighted organ music? I’ve read their website, and it seems like it would.  https://www.ascap.com/music-users/types/church-or-ministry

Thanks!

____________________________________________________

Dear Worship Leader,

We have been instructing folks to follow CCLI and OneLicense guidelines, which, as you discovered, unfortunately, rarely cover instrumental/keyboard music.

Yes, it appears as though ASCAP offers a “WorshipCast” streaming license, which is set up in much the same manner as CCLI and OneLicense licenses – i.e., the fee structure is based on worship attendance:

https://apps.christiancopyrightsolutions.com/purchase-license.aspx?svc=wc

A quick click brought up this fee structure:
1 – 199 (in attendance): $284.00
200 – 499 (in attendance): $424.00 (obviously it goes up from here)

Some further good news – the WorshipCast license offered above is controlled by Christian Copyright Solutions (a division of CCLI, and it appears as though purchase of this license would allow you to broadcast both ASCAP and BMI titles, opening up even more possibilities.

I don’t think, however, that this license includes SESAC titles; thus, if you wished to perform anything under the SESAC umbrella (Dan Gawthrop, for instance), you would need to approach that entity directly for a license:

https://www.sesac.com/#!/

Thank you for bringing this to our attention.

Blessings to you in your music ministry!

Gwyneth Michel, Assistant Director, Moravian Music Foundation      – – (with edits by Erik S.)

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Archie K Davis Center

Construction began on the building in the fall of 1999, and the facility was completed and occupied in July 2001. In September 2001, the building was dedicated as the Archie K. Davis Center. More about the man, the building, and a quick, visual tour of our beautiful home.

The Archie K. Davis Center