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What was the hymn sung by Jesus and his disciples?

Researched by Dave Blum:

I received a message from a long-time friend this morning asking about today’s (April 9) Daily Text reference in Mark 14 to the hymn which Jesus and his disciples sang. I thought the question deserved some deeper investigation and reflection, and more folks would be interested.

We are reminded in Fred Pratt Green’s hymn “When in Our Music God is Glorified”:
“And did not Jesus sing a hymn that night when utmost evil strove against the Light?”

In today’s Daily Texts (April 9) and in the Holy Week Readings we are reminded that: “When [Jesus and his disciples] had sung the hymn, they went out to the Mount of Olives.” (Mark 14:26 NRSV). This is also recorded in Matthew’s Gospel (26:30). So, what was “the hymn”?

The Apostle Paul instructs the church to “…be filled with the Spirit, as you sing psalms and hymns and spiritual songs among yourselves, singing and making melody to the Lord in your hearts, giving thanks to God the Father at all times and for everything in the name of our Lord Jesus Christ. (Ephesians 5:18b-20 NRSV) and a similar wording appears in Colossians 3:16 (NRSV). This would seem to delineate 3 genres sung by the Church: Psalms, hymns, spiritual songs; but we don’t don’t know what those definitions are.

There appears to be no direct corresponding word in Hebrew scriptures for the word “hymn.” Mounce’s Complete Expository Dictionary of Old & New Testament Words provides the Greek words used in the New Testament:
hymneō (verb): to hymn, praise, celebrate or worship with hymns
In Acts 16:25 we read “About midnight Paul and Silas were praying and singing hymns to God, and the prisoners were listening to them,” and in Hebrews 2:12 we see the act of hymning, although the word itself does not appear in the passage: “I will proclaim your name to my brothers and sisters, in the midst of the congregation I will praise you.”

hymnos (noun) a song, a hymn, song of praise to God. The only appearances of this word are the in the Gospel accounts of Matthew and Mark above.

However, there are portions of scripture which allude to early Christian hymns. In some translations you will notice the spacing of the words are different, such as:

“Without any doubt, the mystery of our religion is great:
He was revealed in flesh,
 vindicated in spirit,
 seen by angels,
proclaimed among Gentiles,
 believed in throughout the world,
 taken up in glory.” (1 Timothy 3:16)
In the second letter of Timothy is perhaps another allusion to a hymn:
“The saying is sure:
If we have died with him, we will also live with him;
if we endure, we will also reign with him;
if we deny him, he will also deny us;
if we are faithless, he remains faithful—
for he cannot deny himself.” (2 Timothy 2:11-13 NRSV)

Paul writes to the church in Philippi what is regarded as an early Christian hymn:

“Let the same mind be in you that was in Christ Jesus,
who, though he was in the form of God,
did not regard equality with God
as something to be exploited,
but emptied himself,
taking the form of a slave,
being born in human likeness.
And being found in human form,
he humbled himself
and became obedient to the point of death—
even death on a cross.

Therefore God also highly exalted him
and gave him the name
that is above every name,
so that at the name of Jesus
every knee should bend,
in heaven and on earth and under the earth,
and every tongue should confess
that Jesus Christ is Lord,
to the glory of God the Father.” (Philippians 2:5-11 NRSV)

To the church in Ephesus, Paul quotes what William Barclay believes may have been an early baptismal hymn:

“Live as children of light— for the fruit of the light is found in all that is good and right and true. Try to find out what is pleasing to the Lord. Take no part in the unfruitful works of darkness, but instead expose them. For it is shameful even to mention what such people do secretly; but everything exposed by the light becomes visible, for everything that becomes visible is light. Therefore it says,

“Sleeper, awake!
Rise from the dead,
and Christ will shine on you.” (Ephesians 5:8b-14 NRSV)

Barclay writes: “Paul introduces the quotation as if everybody knew it, but no one now knows where it came from…It may well have been part of a baptismal hymn. In the early Church nearly all baptisms were of adults, confessing their faith as they came out of heathenism into Christianity. Perhaps these were the lines which were sung as they arose from the water, to symbolize the passage from the dark sleep of paganism to be awakened life of the Christian way.”

Getting back to the question of what was meant by “the hymn” that Jesus and his disciples sang, it should be remembered this is mentioned in the context of the Last Supper — the Passover meal, which was full of symbolic meaning.
During the solemn observance a group of Psalms known as “the Hallel” were sung: Psalms 113-118. Earlier in the week of Passover, Jesus quoted from one of these Psalms in his teaching:
“The stone that the builders rejected has become the chief cornerstone. (Psalm 118:22 quoted in MT 21:42, MK 12:10 and LK 20:17) So powerful was Jesus’ use of this verse that it was quoted or alluded to in Acts (4:11) and in 1 Peter 2:4,7.
Near the end of the Passover meal Psalm 136, “the great Hallel” was sung, which recounts God’s deliverance:
“O give thanks to the Lord, for he is good,
for his steadfast love endures forever…
who struck Egypt through their firstborn,
for his steadfast love endures forever;
and brought Israel out from among them,
for his steadfast love endures forever;
with a strong hand and an outstretched arm,
for his steadfast love endures forever;
who divided the Red Sea in two,
for his steadfast love endures forever;
and made Israel pass through the midst of it,
for his steadfast love endures forever;
but overthrew Pharaoh and his army in the Red Sea,
for his steadfast love endures forever;
who led his people through the wilderness,
for his steadfast love endures forever;…” (Psalm 136:1, 10-16 NRSV)

During this Holy Week, and as we anticipate a very different and perhaps more solemn celebration of Easter in these unusual and uncertain times, as Green’s hymn concludes:

“…Then let us sing, for whom He won the fight: Alleluia!

Let every instrument be tuned for praise!
Let all rejoice who have a voice to raise!
And may God give us faith to sing always ALLELUIA!”

Dave Blum, MMF Research Librarian

Reader Interactions

Comments

  1. Monique Gutierrez says

    May 18, 2023 at 1:08 am

    Thank you for your research that gave me the information that I was seeking. I am sure others are wanting the same. Thank you again.

    Reply
    • Dawn Campbell says

      March 21, 2024 at 8:51 pm

      This is wonderful. God bless yo

      Reply
  2. Nane Tomala says

    February 7, 2025 at 4:02 pm

    Thanks to know in my heart,soul and spirit that YESUAH sang a song before going back to heaven

    Reply

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Who: The courses will be taught by Christopher Ogburn, PhD, the Director of the Moravian Music Foundation (MMF) and our resident musicologist. Prior to coming to the MMF, Ogburn taught and lectured at Manhattan College and LaGuardia Community College, before joining the faculty of Central Piedmont Community College, Charlotte, NC as Instructor of Music. He has over a decade of experience teaching courses in both music history and theory.

Growing up in the Moravian Church, I learned the value of the church and the importance of its long and remarkable history, both locally, but also internationally. My own family lineage can be traced back to the Bethabara settlement, so there is a strong personal connection that draws me to the work of the Moravian Music Foundation and the preservation of its remarkable archival collection. While an undergraduate at the University of North Carolina at Chapel Hill, I had the privilege of interning one summer at the Foundation under Nola Reed Knouse. This opportunity solidified my passion for musicology and is what ultimately inspired my pursuit of a doctorate in that area. In many ways, I owe my career to the Foundation and consider this opportunity to be both a literal and spiritual homecoming.

Looking to the future, I am excited by all the possibilities, including expanding the lecture series, building a more robust online presence, providing live music performances, creating workshops for local students, and working to tell the global story of the Moravian Church more completely and accurately.

My family has deep ties to the area that go back several generations. My wife, Erin, and I are excited to be moving back to Winston-Salem and to raise our daughter, June, in this community that played such a vital role in shaping who I am today. We are looking forward to exploring all the new restaurants, hiking around Pilot Mountain, and enjoying the vibrant cultural community that has grown over the years. After having lived in New York City for the bulk of our adult lives, we are delighted to be back in the land of BBQ, Cheerwine, and the Heels.  -Chris Ogburn

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At Archie K Davis Center


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Karlee Kreations – Cocoa Bombs

Calvary Moravian – Lovefeast in a Box

Artist, Liz S – Elizabeth Stonich

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All artists, vendors, exhibitors are subject to change.

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Hot Dogs and Cotton Candy, too!

TALK What is Moravian Music?
12:00pm in the Spaugh Lecture Hall, Archie K. Davis Center
Speaker, Christopher Ogburn, Ph.D., Executive Director of MMF

TALK The Peter Oliver Pavilion and Gallery
2:00pm in the Spaugh Lecture Hall, Archie K. Davis Center
Speakers, Christie Williams and Sabrina Garity, Assistant Archivist

Tours of the Vault (including music treasures
On the hour [ 10:00am, 11:00am, 1:00pm, 2:00pm, 3:00pm, 4:00pm
45 minutes (Max 10 people per hour)

All music performers and schedules are subject to changes. (as of 12/5/2024)

Music outdoors around the ChristmasFest campus

10 – 10:20Whitaker Elementary School Garden
10:30 – 10:50West Stokes HS Chorus Garden
11:00 – 11:45Trinity Moravian Chancel ChoirCourtyard
11:00 – 11:45Adam and Stephanie Goodrich AK Davis Ctr
12 – 12:50Talk on “What is Moravian Music?” (indoors – Spaugh Recital Hall) AK Davis Ctr
1 – 1:45North Davidson High School JV and Varsity SingersCourtyard
2 – 2:45New Philadelphia Worship TeamCourtyard
3:30 – 3:50The Moravian Band (all players welcome! – green and blue books) Courtyard
4 – 4:45Salem Band Tuba Quartet Courtyard

Music Concerts at Salem College, Elberson Fine Arts Ctr, in Hanes Auditorium
10:30a – 12:30pTriad Community Band
1:00p – 2:30pSalem Community Orchestra
3:00p – 5:00pWinston-Salem Civic Orchestra / Winston-Salem Symphony Youth Philharmonic

MMFS1301      Glory to God in the Highest   Gregor, Christian      Luke 2:14        
SSAB    $1.75   Christmas

MMFS1908      Glory to God in the Highest   Gregor, Christian      Luke 2:14        
SAB       $1.75   Christmas

MMFS1003      Hail, Infant Newborn    Michael, David Moritz       Christmas hymn, anon.         
SATB                $1.75   Christmas

MMFS1401      Morning Star in Darkest Night        Hellström, Georg Friedrich von     Johann Scheffler (1624-1677)   
SATB    $1.75   Christmas

MMFS0802      Night of Holy, Highest Worth        Brau, Christian Ludwig      Christmas hymn, anon.               
SSAB    $1.75   Christmas

MMFS1806      O Dearest Jesus     Hellström, Georg Friedrich von   
S/SATB               $1.75                 Christmas

MMFS2101      Six Carols       Clemens, Theodor Liley   
SATB    $1.75   Christmas

MMFS1714      Thou Child Divine      Bates, James  Text: anonymous       
SATB    $1.95   Christmas

MMFS1717      What Good News the Angels Bring       Hagen, Francis Florentine      William Hammond (1718-83)        
SATB/SATB      $1.95   Christmas

MMFS1001      Sing, O Ye Heavens       Peter, Johann Friedrich      Christmas hymn, anon.               
SATB, S & T solos         $1.95   Christmas, General

MMFS0804      Glory to Him Who Is the Resurrection LaTrobe, Christian Ignatius Text: John 11:25-26   SSAB                $2.25

MMFS1307      And Yet Believe  Henkelmann, Brian Text: John 29:29, adapted  
SAB   $1.75

MMFS1103      Glory to Him  Wolf, Ernst Wilhelm   
SATB    $1.95  

MMFS1303      Fling Wide the Portals   Wolf, Ernst Wilhelm Text: J. G. von Herder
SATB            $2.25

MMFS1304      He Who Died, Behold, Now He Is Risen  Wolf, Ernst Wilhelm Text: J. G. von Herder   
SATB                $2.25

MMFS1305      O Death Now Is Swallowed Up in Victory  Wolf, Ernst Wilhelm Text: J. G. von Herder
SATB/SATB

MMFS0907      Lord Christ Jesus, Our Salvation       Henkelmann, Brian   Text: verse 1, Jan Hus (circa 1410); verse 2, Ernst Christoph Homburg (1659)
2 part   $1.75   Lent, Communion

MMFS0807      Wounded Lamb! By Your Self-Offering          Mozart, Wolfgang Amadeus Text: Holy Communion hymn, anon.  
SATB    $1.95   Lent, Communion, General Use

MMFS1905      Kyrie           White, James C.           Text: Latin mass     
SATB    $2.25  Lent, General

MMFS1703      Lamb of God  Erbe, E. I.          Text: Latin mass, based on John 1:29       
SATB    $1.95   Lent, General

MMFS1705      Those Who Sow With Weeping  Peter, Johann Friedrich     Text: Psalm 126:5-6             
SSAB                $1.75   Lent, General

MMFS0801      Christ By His One Sacrifice   Graun, Karl Heinrich Text: based on Hebrews 10:14, and an 18th century hymn
SATB    $1.95   Lent, General

MMFS1111      In Truth, He Bore Our Affliction  Graun, Karl Heinrich          Text: Isaiah 53:4-6 
SATB    1.75     Lent, General

MMFS0909      Christ, and Him Crucified      Knouse, Nola Reed     Text: Liturgy for Lent (from the Moravian Book of Worship)    
SATB    $1.75   Lent, General

MMFS1302      Lord of Life (The)          Wolf, Ernst Wilhelm   Text: J. G. von Herder            
SATB    $2.25   Lent, General

MMFS1716      Truly He Has Borne Our Frailty            Herbst, Johannes        Text: Isaiah 53:4-5 
SATB    $1.95   Lent, General

MMFS0904      In Stillness       Gregor, Christian         Text: adapted from Exodus 31:17, 16:23
SSAB, flute, ‘cello                $1.75   Lent, Great Sabbath

MMFS1501      Behold, O There’s a Sight       Peter, Simon   Text: Christian Gregor          
SATB    $1.75   Lent, Maundy Thursday

MMFS0803      Throw Wide the Door   Michael, David Moritz Georg Weissel (1590-1635)            
SATB   $1.95   (for Advent, Christmas, Palm Sunday)

MMFS1109      Prepare Your Hearts  Peter, Johann Friedrich (1746-1813)
S/SATB    $1.95   (for Advent/Christmas)

MMFS1901      People, Arise  Reissiger, Karl Gottlieb (1798-1859)      Isaiah 60:1     
SATB    $1.75   (for Advent/Christmas/Epiphany)

The archival holdings of MMF are divided into collections. (some in Bethlehem, some in Winston-Salem)

The FINDING AID for each collection is a “30,000-foot view” of the collection in its context. Each finding aid contains information about the size of the collection, how it was created, history of the community or key individuals involved in the collection, and a description of the contents.

Individual Finding Aids       LINK

Guide: A searchable table of all collections          LINK

GemeinKat

GemeinKat is the MMF digital catalog on WorldCat.org    LINK

WorldCat.org: to search the catalog, go to https://moravianmusic.on.worldcat.org/discovery. You can search by composer, title, collection, or any number of other keywords; just go try!

OCLC (Online Computer Library Center): the collective of organization(s) that built the online database called WorldCat. It is now owned by Backstage Library Works.

“GemeinKat” is the name given to MMF’s project to upload new and enhanced digital records to the OCLC and RISM databases. We have used the name “GemeinKat” as our umbrella term for the entire project, involving Backstage Library Works, OCLC, WorldCat, and RISM and the work of cataloging; also, the creation of the digital records and the creation of finding aids.

GemeinKat is available to the public, on the internet, at moravianmusic.on.worldcat.org and is a WorldCat Discovery catalog, developed by OCLC, a nonprofit organization that provides services to thousands of libraries worldwide. Through WorldCat, users have the potential to access more than 1.8 billion items in libraries around the world.

GemeinKat itself is: the bibliographic records for each manuscript, book, or printed music item found in MMF holdings.
These archival holdings are grouped by collections and physically reside in either the Bethlehem or Winston-Salem archive (sometimes in both).
For a description, see the MMF website: https://moravianmusic.org/gemeinkat-catalog/.

 

Internships at MMF

The Moravian Music Foundation welcomes students for internships.
Both college (or higher) and high school levels may be accommodated.
Some projects require no musical experience; others require ability to read music and understand orchestral scores/parts.

Salem Saturdays at Christmas

Throughout the holidays and during ChristmasFest, Old Salem will welcome visitors to enjoy the shops and displays around Salem. Make it even more special by touring the historic buildings, homes and shops. Tickets at the Visitor Center: Holiday All-In-One Ticket

Old Salem Inc. museum, shops and historic buildings will be open 10:00a to 4:00p on the Saturday of ChristmasFest. (admission fee)

More about events >>

https://www.oldsalem.org/events/event/salem-saturdays-at-christmas-6/

Visiting Old Salem Museum and Gardens - This Is My South

Candle Tea of Home Moravian Church

In the two weekend prior to ChristmasFest: Dec. 1 – 3 and Dec. 8 – 10, 2022

As a Moravian brass band plays nearby, costumed volunteers welcome guests with an introduction to the history of the Moravians in Salem, followed by carols in the Saal accompanied by an 18th century Tannenburg organ, the sweet aroma of a beeswax candle-making demonstration, a visit to the original kitchen to enjoy coffee and sugar cake, and finally a viewing of the amazing Salem putz and the nativity scene.

The sights, sounds, smells, tastes and interesting narrative of Candle Tea provide a warm experience of Moravian Advent and Christmas traditions from early Salem to the present day. The regular Candle Tea tour lasts about an hour.

More Details and to make a reservation >>

The Scriptorium: Moravian Candle Tea       Moravian Candle Tea in Old Salem | Eventcombo

 

RISM

RISM: Répertoire International des Sources Musicales

RISM, or International Inventory of Musical Sources, is an international, non-profit organization that aims to comprehensively document extant musical sources worldwide: manuscripts, printed music editions, writings on music theory, and libretti that are found in libraries, archives, churches, schools, and private collections.

Search RISM ONLINE (more searching options and granularity for scholars)    or   Search RISM CATALOG (more general searching)

The RISM Catalog of Musical Sources contains over 1.2 million records and can be searched at no cost. Early western music from 1600 through to the early 19th century is included.

RISM was founded in Paris in 1952 and is the largest and only global organization that documents written musical sources. RISM records what exists and where it can be found. RISM is where scholars go when they are looking for music manuscripts or early prints around the world. RISM entries include the musical incipits – the first phrase or so of music – to enable identification of a specific piece of music (which setting of “Sing to the Lord a New Song” is this?).

Other resources at MMF:

  • Reference library: the Peter Memorial Library in Winston-Salem
  • Irving Lowens Collection of early American tunebooks and songbooks, in Winston-Salem
  • An extensive international collection of hymnals (mostly Moravian) in many languages, dating to the 16th century, in Winston-Salem

Video about Moravian Music Research
 
Books about Moravian Music
 
Blog Posts about Moravian Music

Books for Sale: Musicology

Video about Moravian Music Research
 
Books about Moravian Music
 
Blog Posts about Moravian Music

Books for Sale: Musicology

ArchivGrid

ArchiveGrid                         LINK

This is a collection of over 7,000,000 archival descriptions, including documents, personal papers, family histories, and other archival materials held in about 1,500 archival institutions. ArchiveGrid helps researchers looking for primary source materials, but who may not know exactly where to go to find them. MMF’s finding aids can be discovered through ArchiveGrid. For an example, go to https://researchworks.oclc.org/archivegrid/help/; type in the search box (upper right) “Bethlehem congregation” and the first thing you will find is MMF’s finding aid for the Bethlehem Congregation Collection, and also related collections and suggested search terms (Lancaster, Dover, Lititz, etc.), linked to those finding aids on the MMF website.

A recent inquiry to MMF - Subject: Copyright/Streaming

 

Dear MMF,

I have a question about copyright and streaming. We have CCLI license and streaming license at my church, but it does not cover many pieces for organ. Would the ASCAP license provide that protection for us to stream and include copyrighted organ music? I’ve read their website, and it seems like it would.  https://www.ascap.com/music-users/types/church-or-ministry

Thanks!

____________________________________________________

Dear Worship Leader,

We have been instructing folks to follow CCLI and OneLicense guidelines, which, as you discovered, unfortunately, rarely cover instrumental/keyboard music.

Yes, it appears as though ASCAP offers a “WorshipCast” streaming license, which is set up in much the same manner as CCLI and OneLicense licenses – i.e., the fee structure is based on worship attendance:

https://apps.christiancopyrightsolutions.com/purchase-license.aspx?svc=wc

A quick click brought up this fee structure:
1 – 199 (in attendance): $284.00
200 – 499 (in attendance): $424.00 (obviously it goes up from here)

Some further good news – the WorshipCast license offered above is controlled by Christian Copyright Solutions (a division of CCLI, and it appears as though purchase of this license would allow you to broadcast both ASCAP and BMI titles, opening up even more possibilities.

I don’t think, however, that this license includes SESAC titles; thus, if you wished to perform anything under the SESAC umbrella (Dan Gawthrop, for instance), you would need to approach that entity directly for a license:

https://www.sesac.com/#!/

Thank you for bringing this to our attention.

Blessings to you in your music ministry!

Gwyneth Michel, Assistant Director, Moravian Music Foundation      – – (with edits by Erik S.)

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Archie K Davis Center

Construction began on the building in the fall of 1999, and the facility was completed and occupied in July 2001. In September 2001, the building was dedicated as the Archie K. Davis Center. More about the man, the building, and a quick, visual tour of our beautiful home.

The Archie K. Davis Center